Friday, June 12, 2009
Thou Shalt be Active [NOT a message from the Surgeon-General]
Talking about writing rules, one of the first that got drummed into me (actually, more like beaten into me -- around the head with what was left of my frayed manuscript) was the importance of active writing; making the prose immediate, rather than passive. The shorthand for this is 'Show don't Tell'. You could do a lot worse than plough through your manuscript with this mantra repeating in your head like some sort of Buddhist chant. Certainly for action, it's an absolute must. But it really got me wondering -- is this really universally applicable?
Some of the books I admired most as a young reader, such as Lord of the Rings, were full of passive text. Huge wads of backstory and enormously long sentences that would never get past a modern editor. Yet it worked. Another book I admire tremendously is Empire of the East by Fred Saberhagen. Accustomed to more modern prose, the passive style put me off initially, but it did not take me long (about two pages), to get sucked right in. That book is an absolute classic.
I guess one of the things that is really attractive about passive prose (often combined with an omniscient PoV) is that it has a sort of reflective power, enabling a deeper level of insight to be injected into the work -- be it on the level of character or life, the universe and everything. That sort of thing is difficult with strictly 'active' prose. Often tongue and cheek humor also works best in a passive mode (outside of dialogue that is). I think this is one of the things that I tried to emulate in my first attempts to write fantasy, which in my case came off as excessive backstory with overly grandiose metaphors (hey - don't say anything about PoV!).
The other thing about active prose is that is takes space. I often wonder if there is a case for a blend of active and passive prose, just for the sake of economy. Its a lot faster to say 'Joe survived the battle, running from the fiends of the Hegemon with his sword between his legs,' than to go through the whole scene recounting every shiver of fear and blood-filled drop of sweat. If the scene is not really that crucial to the story, but merely a bridge, does it really matter?
Is just makes me wonder. Is passive text total taboo, or is it just one more tool, and perhaps a valid one in some cases?