Sequels, love 'em, hate 'em. Where would we be without 'em?

I saw the other day that James Cameron has signed to do two more Avatar movies. I guess it was inevitable. Although I'm glad I'm not the person writing the story.

I can understand why writers want to do sequels.

As a writer, I invest a lot of time in world building. The world grows richer with each book I write. I have maps (waving to Chris), lineage trees so I can remember who is related to who and how old they were when things happened. I create different societies, with different customs and festivals. I end up with notes on time lines, lists of sayings and distances travelled by different means. All so that I won't slip up when my characters ride off on another adventure.

A writer friend once told me that she had a green room where her characters waited before they took part in another adventure. Unfortunately one of her minor character's arms grew back while he was in the green room. She'd forgotten he'd lost it in the previous book.

As a reader, I like going back to a world I know. It is feels as if I'm taking a holiday in a familiar place. Some of the features might have changed, new buildings, people may have moved on or gotten married, but enough is familiar for it feel right.

I loved going back to Lois McMaster Bujold's Barrayar books about Miles Vorksigan. Here you can see a list of events in Mile's life, which Lois has compiled.

Are you keen on sequels? Bearing in mind that fantasy books are published in trilogies, these sequels will often be another trilogy. Can you think of one stand alone book that you'd like the author to write a sequel to? (Don't worry if they author is dead, for the purpose of this exercise, we can reanimate writers LOL).

Getting it Done

Laura Anne Gilman started her professional life as a book editor for a major NYC house, fitting her writing into the remaining available hours. In 2004 she switched that around, becoming a full-time writer and (in 2010) a freelance editor for Carina Press.

She wrote her first original novel, Staying Dead, when everyone said that urban fantasy was dead. She recently sold the 10th, 11th and 12th in the Cosa Nostradamus series to Luna. Contrary as always, in 2008 she wrote The Vineart War, an alternate-historical fantasy, when everyone was looking for urban fantasy, and sold it to Pocket, where it became a 2009 Nebula nominee for best novel. She thinks being contrary's a pretty good way to run a career.

Find out more at lauraannegilman.net or follow her on Twitter: @LAGilman

Getting it Done.

There’s nothing quite like reading over your WiP and realizing that the opening segment does not exactly lead off from where you left your characters heading When Last Seen in the previous book. Fortunately I was only a few degrees off, so was able to massage things into line with a minimum of cursing and self-loathing.

But I'm not here to talk about that.

I should, I suppose. I could talk about what I did and why, and explain how this is all Totally Normal, but I find myself strangely disinclined to do so. I'm worried, I think, that someone will read it and say "oh, that's not how I do it, I must be doing it wrong" [You may be thinking "oh my god she's doing it wrong, she's an idiot," but I don't worry so much about that.]

Part of this hesitation comes from discussions during the break periods of Word War, the on-line writing workspace I belong to. We have a mixed bag of folk - some multi-published, some just starting out, some in-between, and what comes up a lot is "oh, but how do YOU (a pro) do it?" and its illicit partner "oh, but it's DIFFERENT for you, you're published, I'm not." And I cringe each time a variant of those questions/responses is trotted out, because Process is internal, not external, and nobody's brain works like mine/yours/his/hers, so nobody's process should be exactly the same, either and --

and I'm going to set this apart because I think it's really important --

When a writer starts a new project, nothing that came before matters.

Pro, amateur, hobbyist or die-trying newbie, we all sit there and face the same questions: "how do I do this? How do I tell this story to the best of my abilities, and dear dog, what if nobody likes it?"

The trick isn't to be perfect. The trick is to get past not being perfect and get it done.

The only how-to advice I ever give would-be writers is the classic "AiC" -- put your Ass in the Chair and start writing.

Everything after that? You've got to discover it for yourself.

Someone who has written-to-completion before has (hopefully) learned a few coping skills, some tricks and shortcuts that get them to the desired point with less hesitation...but they picked up new doubts and confusions along the way, because it's all a learning curve, right up to when we cover the keyboard that final time. And, each and every time, we make a new (and hopefully more interesting) mistake.

Different brains, different mistakes...different solutions and different results. And that's good. That's what creates all the different writers, and all the different stories.

So if you're reading the blog or the Twitter or the essay by Famous Writer Dude and think "oh god, that's not me, I'm never going to make it" or "I never thought of that, why didn't I think of that" in a negative, despairing way -- STOP. What works for you is what works.

Or, as I have in the sidebar of my journal, where I see it every day:

You sit down. You tell a story. You do it any damn way it comes out that works consistently for you. You hope people like it. You hope people pay you for it. You do it again. And again. That's all I got. Zen and the Art of Writer Maintenance. You can cheer me on and I can cheer you on, but in the end? In the end it's down to how you get your getting done, done. So get it done.

So how do you get it done?