"He sold his first story to Wonder Stories in 1931 when magazines cost a dime and you could get 12 ounces of Pepsi for a nickel" Harry Harrison writing of Clifford Simak in the introduction to the 1977 edition of Ring Around the Sun.
I read this and got a dose of perspective. So... back when pulps had their heyday - in the Depression, they cost two bottles of soft drink. They ALSO had circulations that most 'bestsellers' now couldn't dream of. A name built on a pulp readership could make your novels successful right out of the gate. Now those 'pulp' descendants have moved upmarket in price and sometimes in quality... and are outsold by an average midlister, and have a sadly tepid marketing value.
Things have changed since then. For example: We've increased the number of books being published enormously... and we've also changed the distribution mechanism and structure. The distribution curve for sales has become ridiculously attenuated, with 97% of books selling less than 10K and 2.8% selling between 10-100K and 0.2% selling into the tens of millions... as opposed those days when there were far less books published, but perhaps 30% of books sold less than 10K, and 69.8% 10-500K... and 0.19 getting to million, and 0.01% did better.
Lets face it, 2011 has a fair amount of frightening commonalities with 1931. The one trend that isn't running in tandem is entertainment. In the Great Depression books and movies did well. They provided cheap escape from a grim reality. They also provided uplift and hope for depressed people in hard times. I can't say that a lot of 2011 books are cheap enterainment, or good escapism or uplifting. And the industry has been hurting, badly. I can't really believe that no-one in the publishing establishement can see this, but I suspect it's a case of vested interests who would rather aim straight for the icebergs than change from their course. The content an I suspect especially skewed distribution model plainly has LOST readers/buyers. So I think has price, particularly with e-books, where electrons are cheaper than cheap pulp paper ever was. However: Where the behemoths lumber on their preselected paths, it does look as if independents with e-books are challenging this (I note some very cheerful - humor too - books which publishing ignored are doing very well thank you.) I also note that Pulp pricing is BAAAAAAACK... 99 cent books. Many of them probably at the same level as much of the material in those pulps, and I suspect the escapist and uplifting ones will do well. I'm unsure if they're going to return to the distribution curve of sales - simply because the entry is easier. But I have a feeling a solid 'midlist' will develop driven by reader demand not the marketing department -- a LOT healthier for a diverse reading audience and actually growing a reading market. Oh and as another aside, I see Apple's challenge seems to have been a fashion statement rather than having any real impact on e-book sales. Curiouser and curiouser.
So what do you think? Is it worth doing a 99 cent book? Is there a sea-change underway, to fit our society to a more austere but more hopeful model?
Showing posts with label pricing. Show all posts
Showing posts with label pricing. Show all posts
Monday, May 9, 2011
Sunday, April 10, 2011
How not to behave as a reader
Last weekend, I wrote about bad behavior by one very passionate but unwise author as well as a publisher behaving badly. This week, I want to talk about things readers do that have repercussions on authors they might not think about.
Over the last week or so, there has been a great deal written about the number of one star reviews Michael Connelly's latest book, The Fifth Witness, has received for its digital version. Now, it's not unusual for a best seller like Connelly to have a few one star reviews for a title. There's always that one person who buys the book and reads it, expecting something the book isn't. But we're not talking a few readers who aren't satisfied with what Connelly wrote. No, we're talking about hundreds of readers who have given the book one star reviews -- and who very well may not have read it.
If you go to the kindle page for The Fifth Witness, you'll see that there have been 167 customer reviews that average out to a 2 star rating. Specifically, there have been 38 five star reviews, 4 four star reviews, 1 three star reviews, 4 two star reviews and a whopping 120 one star reviews. While the B&N rankings aren't quite as one-sided, they do show the readers' frustration.
Why all the low rankings? Well, when this book first came out, it cost more for the e-book than for the hard cover. Yep, that's right. On amazon, you could get a copy of the hard cover for $14.28 while the e-book was $14.99. At bn, the prices were $14.73 for the hard cover and $14.99 for the e-book.
Needless to say, the discussion boards went wild. And so did the negative reviews. I understand readers doing this to protest something the publisher has control over. (For the record, the publisher of this book is one of the publishers following the agency model of pricing for e-books. You can always tell if a book is affected by this because Amazon adds the following under the price -- This price was set by the publisher.) The problem is, when you give reviews based solely on price, you are hurting the author. There are people out there who might not read the reviews but they do look at how many stars a book has. When they see a disparate amount of one or two stars as opposed to four or five stars, they make a decision not to buy the book. And that is how it impacts the author.
Now, surprisingly, the publisher did listen to the readers who protested the price. A check of both Amazon and BN this morning shows that the price for the e-book has been lowered to $12.99. While that is still more than what a number of e-book purchasers see as the upper limit on what they will pay, it is lower than the physical copy of the book. But the damage has already been done. The bad reviews based on price are there and the only being hurt by them is Mr. Connelly.
I'll admit, I might not have paid as much attention to what happened to Mr. Connelly but for a review one of NRP's short stories received. This particular reviewer either posted the review to the wrong title -- there is another title very similar to ours that is a novel where our title is a short story -- or this particular reviewer didn't pay attention to the file size when buying the title. Why, you ask, do I say this? Because the reviewer complained about having to pay for something that was, in his opinion, nothing but a "review" of a book. That review, coming around the same time as the kerfluffle over Connelly's book, really made me start thinking about what damage such reviews can do.
Is there an easy answer? Sure. Sellers such as Amazon and BN can add another level to their review process, one where you rate the price of the book that is separate from the review of the content. Will it happen? Doubtful. So it falls into our hands as readers to be responsible. Review the book -- read it and write a thoughtful and thought out -- review of the contents. Then add any concerns you might have about the price of the book. Publishers aren't going to be hurt all that badly by the loss of sales for one author's books. But that author will be. Numbers are everything in the publishing world. Authors don't have control over what their publishers price a book -- paper or digital -- at. So don't punish them.
If the price is more than you want to spend, then pass on the book until the price comes down. Speak up about the price on your blog, in discussion boards, in emails to the author and to the publisher. Email amazon and bn and other e-tailers asking them to change their review system to allow you to rate the price as well as the content. That, to me, is a much more fair approach.
In the meantime, let's hope the agency model of pricing falls by the wayside in the near future.
Over the last week or so, there has been a great deal written about the number of one star reviews Michael Connelly's latest book, The Fifth Witness, has received for its digital version. Now, it's not unusual for a best seller like Connelly to have a few one star reviews for a title. There's always that one person who buys the book and reads it, expecting something the book isn't. But we're not talking a few readers who aren't satisfied with what Connelly wrote. No, we're talking about hundreds of readers who have given the book one star reviews -- and who very well may not have read it.
If you go to the kindle page for The Fifth Witness, you'll see that there have been 167 customer reviews that average out to a 2 star rating. Specifically, there have been 38 five star reviews, 4 four star reviews, 1 three star reviews, 4 two star reviews and a whopping 120 one star reviews. While the B&N rankings aren't quite as one-sided, they do show the readers' frustration.
Why all the low rankings? Well, when this book first came out, it cost more for the e-book than for the hard cover. Yep, that's right. On amazon, you could get a copy of the hard cover for $14.28 while the e-book was $14.99. At bn, the prices were $14.73 for the hard cover and $14.99 for the e-book.
Needless to say, the discussion boards went wild. And so did the negative reviews. I understand readers doing this to protest something the publisher has control over. (For the record, the publisher of this book is one of the publishers following the agency model of pricing for e-books. You can always tell if a book is affected by this because Amazon adds the following under the price -- This price was set by the publisher.) The problem is, when you give reviews based solely on price, you are hurting the author. There are people out there who might not read the reviews but they do look at how many stars a book has. When they see a disparate amount of one or two stars as opposed to four or five stars, they make a decision not to buy the book. And that is how it impacts the author.
Now, surprisingly, the publisher did listen to the readers who protested the price. A check of both Amazon and BN this morning shows that the price for the e-book has been lowered to $12.99. While that is still more than what a number of e-book purchasers see as the upper limit on what they will pay, it is lower than the physical copy of the book. But the damage has already been done. The bad reviews based on price are there and the only being hurt by them is Mr. Connelly.
I'll admit, I might not have paid as much attention to what happened to Mr. Connelly but for a review one of NRP's short stories received. This particular reviewer either posted the review to the wrong title -- there is another title very similar to ours that is a novel where our title is a short story -- or this particular reviewer didn't pay attention to the file size when buying the title. Why, you ask, do I say this? Because the reviewer complained about having to pay for something that was, in his opinion, nothing but a "review" of a book. That review, coming around the same time as the kerfluffle over Connelly's book, really made me start thinking about what damage such reviews can do.
Is there an easy answer? Sure. Sellers such as Amazon and BN can add another level to their review process, one where you rate the price of the book that is separate from the review of the content. Will it happen? Doubtful. So it falls into our hands as readers to be responsible. Review the book -- read it and write a thoughtful and thought out -- review of the contents. Then add any concerns you might have about the price of the book. Publishers aren't going to be hurt all that badly by the loss of sales for one author's books. But that author will be. Numbers are everything in the publishing world. Authors don't have control over what their publishers price a book -- paper or digital -- at. So don't punish them.
If the price is more than you want to spend, then pass on the book until the price comes down. Speak up about the price on your blog, in discussion boards, in emails to the author and to the publisher. Email amazon and bn and other e-tailers asking them to change their review system to allow you to rate the price as well as the content. That, to me, is a much more fair approach.
In the meantime, let's hope the agency model of pricing falls by the wayside in the near future.
Monday, December 27, 2010
On ‘Piracy', Pricing and Twelve Days of Christmas
Yo ho ho and a bottle of rum!
er.
Merry Christmas! Sorry, a faulty translator...
In my blundering about the web, I was reading about Feast of Fools and the Lord of Misrule. It's a pity, in my usual lunatic opinion, that it has died away (or been put down). Society needs a time when the normal order is inverted. It gives those who are at the top a reason to make sure the people don't prefer the fool's rule. It was easier to outlaw it than to rule well, I suppose. Ah well. Perhaps I am the only paranoid who thinks the lunatics have been running the asylum for far too long, and the ones who are merely insane as a comparison to the new norm, are almost beginning to believe they're the mad ones.
I think there is an element of this desire for an overturn of the existing order spread throughout humans -- and of course it runs thicker in some of us -- but it's why we like to read of the underdog winning. Yes, there is a market for self-congratulatory camp-follower books, but I like to imagine that there is just as large a mob who like things that overturn the established order, or at least question it. Ok, so I am one of the intrinsic rebels, I suppose, albeit one who has made the unusual leap of logic that you cannot be both the victor and become authority... and still be sticking it to the man, when you are the man (a problem as prevalent in politics as publishing).
Anyway, to meander on, what brought me to wander into the Lord of Misrule and the twelve days of Christmas, and piracy, was this blog by Paul Cornell. Now I don't know Paul Cornell, and he might be nicest fellow and most brilliant writer that ever breathed. But just as surely as the Twelve days of Christmas follow after Christmas (and not before which was what I was looking up), I found a few things in this back-to-front and I wanted to ask your opinion of them (and uh, give you mine!).
Now to quote Mr Cornell, as the fundamental point from which he starts his take on piracy and e-books:
1: Publishers have always thought that when you buy a hardback, what you're paying more for is the chance to own it on the day of publication. Paperbacks are cheaper because they come out a year later. The reading public, on the other hand, always thought what they were paying more for was the extra physical mass and quality. (Actually, a hardback costs, one publisher told me, only from 50p to a couple of pounds more to make.) So obviously publishers think an e-book, out on the day of publication, should cost the same as a hardback. And obviously the reading public think it should cost less than a paperback. From this difference in perception stem all subsequent horrors.
Really? Am I the only person in the universe who read this, fell about in helpless laughter, and abused ‘Casablanca' to say "I'm shocked, shocked to find that gambling is going on in Rick's Casino!" It's possible, I suppose, that some of the reading public really were unaware of any early release premium -- the ones who continue to buy hardcovers of books of mine which are available in paperback, even books which have been out for nine years. But, well, hands up anyone who thought publishers really had no idea why the public thought they had to buy the hardback at that price?
Ah, you at the back. Did you bring enough of that stuff for everyone?
Look, if publishers were of the opinion that the public believed they were only paying for an early release, and not the materials of the format.... well, why on earth would they waste that 50p to couple of pounds pure profit, when printing "EARLY RELEASE" on a cheap paperback would entitle them to sell it for the same price? And why do books that only come out in paperback not get marked up for that first year? I am sorry, it won't wash. There was always full knowledge of what the public thought. Historically excuses like a rise in paper prices and printing costs have been used as reasons to raise prices. Either those were lies, or this is, or maybe both are. But this statement is true for no possible scenario.
Which then brings us back to well, why are prices so eye-watering for electrons (from everyone but Baen and a few independents) instead of hardbacks? Especially as there are no returns (50% saving right there), no paper, printing, warehousing or distribution costs (well microscopic costs). The answer may lie in any of a dozen real reasons, none of which they're prepared to share. Which of course brings us all to believe they are really good reasons and without malice or guile. My own guess is a reluctance or inability (or both) to change their business model and lose many historical overheads -- most of which do neither writers nor readers an iota of good. Does a book read better if it was edited in New York? Does a book read better if the publisher rents offices in Manhattan or St Paul? You couldn't get the staff to live in St Paul? Really? Being unable to find work in your field in NY must be more attractive than I had guessed. And why do they have to work in an office anyway? There is a great deal of cross-subsidy in publishing (and I suspect not all of it in ways one would expect. For instance I think you'd find the midlist subsidises the best-seller list - or the best-seller list would not be profitable). Is an advance (which puts up costs hugely) even necessary, if you can pay monthly and not years later? Of course, if there is a real reason which benefits readers and writers, there'd be nothing like a whiff of public scrutiny to show that yes, e-books need to cost $25 and garner support for that. Haven't seen any sudden outbreaks of transparency have you?
Speaking for myself: I think 6 dollars would cover a reasonably professional job, as long as you can sell at least 2400 copies - and as long as you weren't carrying the overheads.
Anyway - just to have a dip at the piracy issue - to quote Paul Cornell again.
4: People just like stealing stuff. As a recent Wired magazine article pointed out, every utopian excuse for illegally downloading music, from the presence of Digital Rights Management on tracks to the inability to move tracks between systems, has now been swept away by a market desperate to sell more music. There's literally no excuse any more. But this year illegal music downloading continued to grow, with 1.2 billion tracks being stolen in the UK alone.
I think he is conflating two issues - people like to pay as little as possible, and if possible, nothing. That's actually not the same as ‘like stealing'. Yep. There are those too. But not the human race in general. Given the social stigma attached to theft, and the elegant scientific work showing that at least in Western Liberal Democracies a sense of fairness is ingrained, virtually from birth, no, it is not true. People will rationalise theft, but they don't in general LIKE to steal. If you let them have grounds to self-justify their actions, more of them will do it (and that includes the utopian reason he didn't mention, overpricing and the artists getting a tiny fraction - which have not changed). The baseline rationalisation for most piracy IMO is Robin Hood: You're stealing from a greedy (especially if the price for an e-book matches the price of a hardback), rich (and faceless) megacorporation who robs everyone blind, and giving to the poor: ergo yourself. The fact that this is quite an accurate assessment of relative wealth does make it easier. So does the fact that it's ‘victimless' crime, in that the property remains available, and the victim (and there is one, really) is anonymous.
Now, you can get on your high horse and shout ‘piracy is theft and theft is illegal' and quote lawyers at me and stand on your legal rights. By law you're right.
Unfortunately, someone forgot to explain to those who make the law (and those who believe it will work for them) that law exists and works only at the will of the people. You can -- and lawyers and governments do -- pervert this to serve your ends... but there is a limit, and people break and evade laws as much as possible... if they do not have popular support. For example: There are speeding laws just about everywhere. And although they have logic behind them, they're enormously frequently broken. Constant policing is required to keep them at all, and if they weren't a major revenue stream with, actually, substantial support for the law in principle, the authorities would have given up long ago. On the other hand: There are places where public nudity is illegal... it's a lot less serious or risky(okay, mostly) than speeding. Yet it requires almost no policing. Why? Because really, in areas where it is illegal, you'll find most people support the law. If not: it is ignored or changed. The "it is illegal and I hate you for doing it" attitude leaves ‘piracy' about where the prohibition was, or banning Christmas for ‘elf-an-safety' reasons would. It's not going to work, just as it has not worked too well in music.
To box clever, to shift it to the probability of illegal copying to that of a nudist offending shoppers in rural Pennsylvania in mid-winter... you need to get the public to support the law. To believe it is fair.
And to do that the steps are IMO simple. Do away with the Robin Hood syndrome and the anonymity. The real victim needs to be - and to be seen to be - the author. And I think honesty on our part comes into this too. Writers are not rich (and if you are robbing the handful that are, shrug. JK Rowling or Dan Brown can fight you on their own dime and time). The paperback you paid Aus$20 for (or US $7.99)... I got 64 cents. My advances are typically around $10 000. The latest one was $6 000, thanks to the DRAGON'S RING hardback debacle. That means I need to write a lot (working 14-16 hour days, more or less 320 days a year) and live frugally, just to survive. For the record I get 50% of my e-book cover price from Naked Reader, and Amazon gets 30%. I specifically requested (ok insisted) that the price be LOW. Knowing all this: I have extreme doubt that most of my readers would want to rip me off on the Robin Hood principle (and if they did, go for it guys, you must be in dire, dire straits, and I hope the book lifts your spirits)!
The only reason for not making this information public is it makes the rest of the chain look like they might be gouging both the reader and the writer. Of course this is not possible. Could not be true. Now if retail, distribution and publishing would care to do the same as I have, we could see that publishing really needs to charge x for books, and that theft was crippling.
Or so declareth the Lord of Misrule.
No wonder they used to put him to death!
er.
Merry Christmas! Sorry, a faulty translator...
In my blundering about the web, I was reading about Feast of Fools and the Lord of Misrule. It's a pity, in my usual lunatic opinion, that it has died away (or been put down). Society needs a time when the normal order is inverted. It gives those who are at the top a reason to make sure the people don't prefer the fool's rule. It was easier to outlaw it than to rule well, I suppose. Ah well. Perhaps I am the only paranoid who thinks the lunatics have been running the asylum for far too long, and the ones who are merely insane as a comparison to the new norm, are almost beginning to believe they're the mad ones.
I think there is an element of this desire for an overturn of the existing order spread throughout humans -- and of course it runs thicker in some of us -- but it's why we like to read of the underdog winning. Yes, there is a market for self-congratulatory camp-follower books, but I like to imagine that there is just as large a mob who like things that overturn the established order, or at least question it. Ok, so I am one of the intrinsic rebels, I suppose, albeit one who has made the unusual leap of logic that you cannot be both the victor and become authority... and still be sticking it to the man, when you are the man (a problem as prevalent in politics as publishing).
Anyway, to meander on, what brought me to wander into the Lord of Misrule and the twelve days of Christmas, and piracy, was this blog by Paul Cornell. Now I don't know Paul Cornell, and he might be nicest fellow and most brilliant writer that ever breathed. But just as surely as the Twelve days of Christmas follow after Christmas (and not before which was what I was looking up), I found a few things in this back-to-front and I wanted to ask your opinion of them (and uh, give you mine!).
Now to quote Mr Cornell, as the fundamental point from which he starts his take on piracy and e-books:
1: Publishers have always thought that when you buy a hardback, what you're paying more for is the chance to own it on the day of publication. Paperbacks are cheaper because they come out a year later. The reading public, on the other hand, always thought what they were paying more for was the extra physical mass and quality. (Actually, a hardback costs, one publisher told me, only from 50p to a couple of pounds more to make.) So obviously publishers think an e-book, out on the day of publication, should cost the same as a hardback. And obviously the reading public think it should cost less than a paperback. From this difference in perception stem all subsequent horrors.
Really? Am I the only person in the universe who read this, fell about in helpless laughter, and abused ‘Casablanca' to say "I'm shocked, shocked to find that gambling is going on in Rick's Casino!" It's possible, I suppose, that some of the reading public really were unaware of any early release premium -- the ones who continue to buy hardcovers of books of mine which are available in paperback, even books which have been out for nine years. But, well, hands up anyone who thought publishers really had no idea why the public thought they had to buy the hardback at that price?
Ah, you at the back. Did you bring enough of that stuff for everyone?
Look, if publishers were of the opinion that the public believed they were only paying for an early release, and not the materials of the format.... well, why on earth would they waste that 50p to couple of pounds pure profit, when printing "EARLY RELEASE" on a cheap paperback would entitle them to sell it for the same price? And why do books that only come out in paperback not get marked up for that first year? I am sorry, it won't wash. There was always full knowledge of what the public thought. Historically excuses like a rise in paper prices and printing costs have been used as reasons to raise prices. Either those were lies, or this is, or maybe both are. But this statement is true for no possible scenario.
Which then brings us back to well, why are prices so eye-watering for electrons (from everyone but Baen and a few independents) instead of hardbacks? Especially as there are no returns (50% saving right there), no paper, printing, warehousing or distribution costs (well microscopic costs). The answer may lie in any of a dozen real reasons, none of which they're prepared to share. Which of course brings us all to believe they are really good reasons and without malice or guile. My own guess is a reluctance or inability (or both) to change their business model and lose many historical overheads -- most of which do neither writers nor readers an iota of good. Does a book read better if it was edited in New York? Does a book read better if the publisher rents offices in Manhattan or St Paul? You couldn't get the staff to live in St Paul? Really? Being unable to find work in your field in NY must be more attractive than I had guessed. And why do they have to work in an office anyway? There is a great deal of cross-subsidy in publishing (and I suspect not all of it in ways one would expect. For instance I think you'd find the midlist subsidises the best-seller list - or the best-seller list would not be profitable). Is an advance (which puts up costs hugely) even necessary, if you can pay monthly and not years later? Of course, if there is a real reason which benefits readers and writers, there'd be nothing like a whiff of public scrutiny to show that yes, e-books need to cost $25 and garner support for that. Haven't seen any sudden outbreaks of transparency have you?
Speaking for myself: I think 6 dollars would cover a reasonably professional job, as long as you can sell at least 2400 copies - and as long as you weren't carrying the overheads.
Anyway - just to have a dip at the piracy issue - to quote Paul Cornell again.
4: People just like stealing stuff. As a recent Wired magazine article pointed out, every utopian excuse for illegally downloading music, from the presence of Digital Rights Management on tracks to the inability to move tracks between systems, has now been swept away by a market desperate to sell more music. There's literally no excuse any more. But this year illegal music downloading continued to grow, with 1.2 billion tracks being stolen in the UK alone.
I think he is conflating two issues - people like to pay as little as possible, and if possible, nothing. That's actually not the same as ‘like stealing'. Yep. There are those too. But not the human race in general. Given the social stigma attached to theft, and the elegant scientific work showing that at least in Western Liberal Democracies a sense of fairness is ingrained, virtually from birth, no, it is not true. People will rationalise theft, but they don't in general LIKE to steal. If you let them have grounds to self-justify their actions, more of them will do it (and that includes the utopian reason he didn't mention, overpricing and the artists getting a tiny fraction - which have not changed). The baseline rationalisation for most piracy IMO is Robin Hood: You're stealing from a greedy (especially if the price for an e-book matches the price of a hardback), rich (and faceless) megacorporation who robs everyone blind, and giving to the poor: ergo yourself. The fact that this is quite an accurate assessment of relative wealth does make it easier. So does the fact that it's ‘victimless' crime, in that the property remains available, and the victim (and there is one, really) is anonymous.
Now, you can get on your high horse and shout ‘piracy is theft and theft is illegal' and quote lawyers at me and stand on your legal rights. By law you're right.
Unfortunately, someone forgot to explain to those who make the law (and those who believe it will work for them) that law exists and works only at the will of the people. You can -- and lawyers and governments do -- pervert this to serve your ends... but there is a limit, and people break and evade laws as much as possible... if they do not have popular support. For example: There are speeding laws just about everywhere. And although they have logic behind them, they're enormously frequently broken. Constant policing is required to keep them at all, and if they weren't a major revenue stream with, actually, substantial support for the law in principle, the authorities would have given up long ago. On the other hand: There are places where public nudity is illegal... it's a lot less serious or risky(okay, mostly) than speeding. Yet it requires almost no policing. Why? Because really, in areas where it is illegal, you'll find most people support the law. If not: it is ignored or changed. The "it is illegal and I hate you for doing it" attitude leaves ‘piracy' about where the prohibition was, or banning Christmas for ‘elf-an-safety' reasons would. It's not going to work, just as it has not worked too well in music.
To box clever, to shift it to the probability of illegal copying to that of a nudist offending shoppers in rural Pennsylvania in mid-winter... you need to get the public to support the law. To believe it is fair.
And to do that the steps are IMO simple. Do away with the Robin Hood syndrome and the anonymity. The real victim needs to be - and to be seen to be - the author. And I think honesty on our part comes into this too. Writers are not rich (and if you are robbing the handful that are, shrug. JK Rowling or Dan Brown can fight you on their own dime and time). The paperback you paid Aus$20 for (or US $7.99)... I got 64 cents. My advances are typically around $10 000. The latest one was $6 000, thanks to the DRAGON'S RING hardback debacle. That means I need to write a lot (working 14-16 hour days, more or less 320 days a year) and live frugally, just to survive. For the record I get 50% of my e-book cover price from Naked Reader, and Amazon gets 30%. I specifically requested (ok insisted) that the price be LOW. Knowing all this: I have extreme doubt that most of my readers would want to rip me off on the Robin Hood principle (and if they did, go for it guys, you must be in dire, dire straits, and I hope the book lifts your spirits)!
The only reason for not making this information public is it makes the rest of the chain look like they might be gouging both the reader and the writer. Of course this is not possible. Could not be true. Now if retail, distribution and publishing would care to do the same as I have, we could see that publishing really needs to charge x for books, and that theft was crippling.
Or so declareth the Lord of Misrule.
No wonder they used to put him to death!
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